駿馬馳騁於天地間，一黑一白優雅平衡如太極，金黃色的遼闊大地如流沙，是永遠留不住的時間，只能繼續向前奔馳，天地如此遼闊瀟灑，然總襯著些許寂寞，寧靜的畫面中，彷彿聽見馬兒達達的蹄聲，驅向沒有盡頭的永恆，此款錶框選用 #質地堅硬的台灣烏心石，顏色較為深邃沈靜，與畫中的山巒相稱，錶框外緣，擬畫中的 #山形起伏及馬背曲線觸摸錶框時，如輕撫著馬背的脊線，平滑柔順淡灰色的idodan logo 融入穹蒼間。

The Final Collection - HorsesThe two horses gallop together gracefully, featuring an image of black and white as balanced as Taichi YinYang. The golden ground is like drifting sand that flows as time, leaving one no choice but to move ahead.We seem to see a thread of loneliness behind the heaven and earth, accompanied by some clip-clops that highlight the serenity and run toward an endless eternity. For this collection, we use #FormosanMichelia, which is a hard, heavy, and fine-textured wood with a darker color tone that echoes the mountain in this painting. The design concept of this watch frame is inspired by the waving mountain and a horse’s curvy back. When touching this watch, it feels like caressing a horse on its back. idodan’s #logo adapts to light grey to fade into the sky.

【取貨方式】
(A)來店取貨
(B)宅配
※臺灣國內(免運)
※如需寄送海外，以國際運費為準

典藏資料:

國立歷史博物館藏《馬》（館藏編號26883）為常玉（1901-1966）作品之一；馬是常玉畫作中經常出現的動物，有的成雙、有的孤獨，多數都畫在空曠的原野天地間，似乎這個動物即是畫家本人的主體投射，也可能是喚起父親擅長畫馬的記憶。此作可見一黑一白的兩匹馬兒置身於冷清疏離的畫面中，黃色的大地以及米白色的天空構成主要的背景，綴以棕褐色的遠山與近石，使畫面顯得不過於單調。就構圖上，作者採用大、小的對比方式來處理，使得作品隱約透露出一絲絲的空虛寂寞。

常玉出生於中國四川順慶(1935年改名南充)，自幼在故鄉隨父親習畫，之後向書法家趙熙(1867-1948)習字，1921年因「勤工儉學」計畫前往巴黎，是早期留法學習藝術創作的中國畫家之一。他的作品融合了中國與西方藝術特色，經常利用簡潔有力的線條、造形與輪廓呈現獨特的個人風格，繪畫造形簡練、色彩單純，裸女、植物花卉、有動物的風景為其三大創作主題。 

SANYU was one of the earliest Chinese artists to study in Paris. His works combine Chinese and Western art features, often using simple and powerful lines, shapes and contours to present a unique personal style. The paintings are simple and simple in color, and the nude girls, plants and flowers, and animal scenery are the three major themes.